Thérèse Oulton: Bibliography

PUBLIC COLLECTIONS


Arts Council of Great Britain
British Council
British Museum
Fitzwilliam Museum, Cambridge
Metropolitan Museum of Art, New York
Museum of Fine Art, Boston
National Gallery of Victoria, Melbourne
Tate Britain
Victoria and Albert Museum, London
Yale Center for British Art

BOOKS


Tony Godfrey, The New Image: Painting in the 1980s, Phaidon Press, 1988

Alistair Hicks, The School of London: The Resurgence of Contemporary Painting, Phaidon Press, London 1989

Wendy Beckett, Contemporary Women Artists, Phaidon Press, 1989

Whitney Chadwick, Women, Art and Society, World of Art, Thames and Hudson, 1990/2010

Angela Moorjani, The Aesthetics of Loss and Lessness, MacMillan, 1992

Paul Crowther, Critical Aesthetics and Postmodernism, Clarendon Press, 1992

Stuart Morgan, What the Butler Saw, Durian Publications, 1997

Virginia Button, The Turner Prize, Tate Gallery Publications, 1997

Angela Moorjani, Beyond Fetishism, St Martins Press, New York, 2000

Siân Ede, Strange and Charmed: Science and the Contemporary Visual Arts, Gulbenkian Foundation, 2000

Martin Kemp editor, The Oxford History of Western Art, 2002/2010

Richard Cork, New Spirit, New Sculpture, New Money: Art in the 1980s, Yale University Press 2003

Intervews-Artists cV/Visual Arts Research Editions volume 22: Recordings, 2010

Jacqueline Rose, Women in Dark Times, Bloomsbury, London, 2014

Richard Cork, Face to Face: Interviews with Artists, Tate Publishing, 2015

CATALOGUES


Germinations, Kassel and tour, 1983

Pacesetters 4, Peterborough City Museum and Art Gallery, August / September 1984

Peter Gidal / Catherine Lampert, Thérèse Oulton, Fools Gold, Gimpel Fils, 1984

Jaynie Anderton, The Image as Catalyst, Ashmolean Museum, 1984

Marjorie Althorpe-Guyton, Jon Thomas, Alexander Moffat, The British Art Show, Birmingham City Museum and Art Gallery and tour 1984-85

Michael Archer, Tony Godfrey, Landscape, Memory and Desire, Serpentine Gallery, London 1984-85

John Moores Liverpool Exhibition 14, Walker Art Gallery, Liverpool, 1985

Mary Rose Beaumont, Recent British Painting, National Art Gallery, Kuala Lumpur and Far East tour, 1985-86

Sue Cramer, How Much Beauty Can I Stand, Australian Centre for Contemporary Art, Victoria, 1986

Mel Gooding, Marina Vaizey, Britain in Vienna, Künstlerhaus, Vienna, 1986

Sarah Kent, The Sixth Biennale of Sydney, 1986

Prospect 86, Kunstverein Frankfurt, 1986

Stuart Morgan, Skin Deep, Galerie Krinzinger, Vienna, 1986-87

Kunst aus der achtziger Jahren, A11 Artforum, Munich, 1987

Stuart Morgan, British Art of the 1980s, Munich, 1987

Keith Patrick, The Romantic Tradition in Contemporary British Painting, Sala de Exposiciones de Palacio de San Esteban, Murcia and tour, 1988

Carolyn Cohen, Judith Higgins, Edward Lucie-Smith, The New British Painting, Contemporary Arts Center, Cincinnatti and tour, 1988-89

Frances Spalding, 100 Years of Art in Britain, Leeds City Art Gallery, 1988-89

Angela Moorjani, Thérèse Oulton, Hirschl & Adler, N.Y. 1989

Andrew Brighton, Blasphemies, Ecstasies, Cries, Serpentine Art Gallery, 1989

Andrew Renton, Seaming, L.A. Louver Gallery, 1989

Bryan Robertson, British Abstract Painting, Flowers East Gallery, 1994

Jane Burton, editor, The East Wing Exhibition, Contemporary Art at the Courtauld, 1996

‘Speaking of these Paintings’, Clair Obscur catalogue 2003

Between Two Worlds‘, Richard Cork, Lines of Flight, 2006

Brief Notes on a Change of Identity‘, Territory, 2010

Jacqueline Rose, Thérèse Oulton, The Art of Survival?, Elsewhere catalogue, 2014